FRIEDER NAKE
Nake, F. (1974). Ästhetik als Informationsverarbeitung. (Aesthetics as information processing). Grundlagen und Anwendungen der Informatik im Bereich ästhetischer Produktion und Kritik. Springer, 1974, ISBN 3211812164, ISBN 9783211812167
Nake, F. (2009, Spring) The Semiotic Engine: Notes on the History of Algorithmic Images in Europe. Art Journal, 76-89.
Diethelm Stoller: Algorithmus und Kunst. Die präzisen Vergnügen. Sautter & Lackmann, Hamburg 1993, ISBN 3-88920-022-2.
Karl-Heinz Rödiger: Algorithmik – Kunst – Semiotik. Hommage für Frieder Nake. Synchron Wissenschaftsverlag der Autoren, Heidelberg 2003, ISBN 3-935025-60-2.
MANFRED MOHR
Manfred Mohr: fractured symmetry : algorithmische Arbeiten, 1967-1987, by Manfred Mohr, 1987, Wilhelm-Hack-Museum (Ludwigshafen/Rh)
Manfred Mohr, Broken symmetry, Kunsthalle Bremen, 2007
GEORG NEES
Georg Nees, Formel, Farbe, Form : Computerästhetik für Medien und DesignInfo Media Georg Nees, 1995, Berlin, Springer-Verlag, ISBN: 9783540579441
Georg Nees, Generative Computergraphik, Nürnberg, 1969
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Jeffrey Shaw et Peter Weibel, Future Cinema, MIT Press 2003
Valérie Morignat, Textes sur les arts numériques,
Hervé Fischer: Digital Shock, McGill and Queen's University Press, Canada, 2006
Oliver Grau: Virtual Art: From Illusion to Immersion. MIT-Press, Cambridge/Mass. 2003, ISBN 978-0-262-57223-1
ZKM (Zentrum für Kunst und Medientechnogie), Hardware, Software, Artware, Confluence of Art and Technologie, Art Practice at the ZKM Institute for Visual Media 1992-1997, Edition Cantz Verlag, Ostfildern, 1997, 199 pages. (en) (de)
Wolf Lieser. Digital Art. Langenscheidt: h.f. ullmann. 2009.
Donald Kuspit The Matrix of Sensations VI: Digital Artists and the New Creative Renaissance
Paul, Christiane (2003). Digital Art (World of Art series). London: Thames & Hudson. ISBN 0-500-20367-9
Frank Popper (1997) Art of the Electronic Age, Thames & Hudson
Christine Buci-Glucksmann,(2002) La folie du voir: Une esthétique du virtuel, Galilée
Lev Manovich (2001). The Language of New Media Cambridge, Masschusetts: The MIT Press. ISBN 0-262-63255-1
Charlie Gere, (2002) Digital Culture, Reaktion ISBN 978-1861891433
Edward A. Shanken, Art and Electronic Media. London: Phaidon, 2009. ISBN 9780714847825
Wands, Bruce (2006). Art of the Digital Age, London: Thames & Hudson. ISBN 0-500-23817-0.
White heat Cold Logic, Paul Brown, 2009, MIT Press
Edmond Couchot et Norbert Hillaire, L'art numérique - Comment la technologie vient au monde de l'art, Flammarion 2009
DIGITAL PIONEERS, by Honor Beddard and Douglas Dodds, V&A Museum London, 80 pages, July 2009
Abraham Moles, Art et ordinateur, Paris, Casterman, 1971,
Cybernetic Serendipity, catalogue d'une exposition, London, 1968, ICA
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MANFRED MOHR
Prof. Eugen Gomringer, review Manfred Mohr Retrospetive exhibition, 2000
Thomas Kurtz, The courage of One’s convictions, from Monograph ‘ Manfred Mohr’, Waser Verlag Zürich, 1994
Dr. Lida von Mengden, Manfred Mohr, Research in the Aesthetic Universe of the cube, exhibition catalog Manfred Mohr-broken symmetry, Kunsthalle Bremen
Frieder Nake, Manfred Mohr: Algoritmic Man, Exhibition Catalog Manfred Mohr Space Color, Museum fur Konkrete Kunst, Ingolstadt, 2001
Lauren Sedofsky, Linebreeder, from exhibition catalogue Manfred Mohr, Josef Albers Museum, Bottrop, 1998
Prof. Eugen Gomringer, Cubist in the Computer Age, from exhibition catalogue Manfred Mohr, Josef Albers Museum, Bottrop, 1998
Prof Dr Mihai Nadin, Alea Iacta Est, from Monograph ‘Manfred Mohr’, Waser Verlag Zurich, 1994
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Harold Cohen, an enquiry into the possible roles of the computer in art, Studio International, Jan.1974, 9-16
Shanken, Art in the Information Age, Technology and Conceptual Art, Leonardo. Vol.35, No.4, 2002, 433-438 |